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Narcissurveilance

 

2017a. New parking meters are being installed across the city [Online]. Available: https://www.melbourne.vic.gov.au/parking-and-transport/parking/parking-locations-fees/Pages/new-parking-meters-installed-city.aspx[Accessed 25 September 2018].

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1984, 1956. Film. Directed by ANDERSON, M.

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BISHOP, C. 2009. On the Wannabe Track, Red Gallery Fitzroy

BISHOP, C. & REIS, S. 2010. x is not the same as x, West Wing Gallery, Melbourne

BISHOP, C. & REIS, S. 2016. The Zero Monument (or The Human Stain Remover), RMIT Gallery, Melbourne

BISHOP, C. & REIS, S. 2017. Citizen Act (in three parts: colour, movement and consciousness)

BLAS, Z. 2011-14. Facial Weaponization Suite

BLOOMBERG. 2018. China Uses Facial Recognition to Fence In Villagers in Far West [Online]. Available: https://www.bloomberg.com/news/articles/2018-01-17/china-said-to-test-facial-recognition-fence-in-muslim-heavy-area[Accessed].

BOZO_INK, REIS, S., BISHOP, C., FITZSIMMONS, D. & GOLD, S. 2007. Mnemonia Room, McClelland Gallery

BRATTON, B. 2014. The Black Stack. E-Flux.

BUFFARDI, L. E. & CAMPBELL, W. K. 2008. Narcissism and Social Networking Web Sites. Personality and Social Psychology Bulletin,34,1302-1314.

BUTLER, R. 1996. What is appropriation?: an anthology of critical writings on Australian art in the 80s and 90s, Sydney, NSW, Power Publications and IMA.

CALLE, S. & AUSTER, P. 1999. Double Game.

CROWTHER, P. & WÜNSCHE, I. 2012. Meanings of Abstract Art : Between Nature and Theory, London, UNITED KINGDOM, Routledge.

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EVANS, C. 2005. Big finds of the past. The Age.

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On the Beach, 1959. motion picture, Directed by KRAMER, S.

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Metropolis, 1927. motion picture, Directed by LANG, F.

LOZANO-HEMMER, R. 2015. Zoom Pavilion.

LYNCH, J. 2018. Face Off - Law Enforcement’s Use Of Facial Recognition Technology (white paper), Electronic Frontier Foundation.

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MALEVICH, K. 1915. The Black Square.

MCCUBBIN, F. 1889. Down on His Luck. Frederick McCubbin [Public domain], via Wikimedia Commons.

MOLNAR, A. 2015. Your face is part of Australia’s ‘national security weapon’: should you be concerned? Available: https://theconversation.com/your-face-is-part-of-australias-national-security-weapon-should-you-be-concerned-47364.

MOSSE, R. 2017. Incoming. National Gallery of Victoria.

ORWELL, G. 1949. Nineteen Eighty-Four, Secker & Warburg.

OURSLER, T. 2017. b0t / fl0w - ch@rt. Galerie Forsblom, Stockholm.

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POLICE, V. 2004-2015. OFFENCES RECORDED BY OFFENCE CATEGORY, OFFENCE CODE, DESCRIPTION AND STATUTORY REFERENCE, 2004/05 - 2013/14. In:UNIT, C. S. (ed.).

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RASKIN, R. & TERRY, H. 1988. A principal-components analysis of the Narcissistic Personality Inventory and further evidence of its construct validity. Journal of personality and social psychology,54 (5),890-902.

REDHEAD, S. 2006. The Art of the Accident: Paul Virilio and Accelerated Modernity. Fast Capitalism,2.

SACHS, T. 1998. Chanel Guillotine (Breakfast Nook).

SACHS, T. 2008-2011. Incinolet.

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SCHWAB, K. 2016. The Fourth Industrial Revolution: what it means, how to respond. Foreign Affairs [Online]. Available: https://www.foreignaffairs.com/articles/2015-12-12/fourth-industrial-revolution.

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STEYERL, H. 2012. The Wretched of the Screen, Sternberg Press.

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SVANTESSON, D. J. B. 2015. Facebook’s new photo app a creepy moment for privacy. The Conversation.

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WANG, M. 2017. China’s Chilling ‘Social Credit’ Blacklist [Online]. Human Rights Watch. Available: https://www.hrw.org/news/2017/12/12/chinas-chilling-social-credit-blacklist[Accessed].

XU, V. X. & XIAO, B. 2018. Chinese authorities use facial recognition, public shaming to crack down on jaywalking, criminals [Online]. ABC News Available: http://www.abc.net.au/news/2018-03-20/china-deploys-ai-cameras-to-tackle-jaywalkers-in-shenzhen/9567430[Accessed].

References - Identify
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